Sister Sparrow & the Dirty Birds

Rock On! Concerts Presents

Sister Sparrow & the Dirty Birds

TAB The Band, Kaleigh Baker

Fri, March 2, 2012

Doors: 8:00 pm / Show: 9:00 pm

Middle East Upstairs

Cambridge, MA

This event is 18 and over

Advance tix sales stop at 7pm day of show, after 7pm tix available at the door Cash Only.

Start Times May Vary and Headliners always go on later than openers and things sometimes change without notice, so it's a good idea to call the venue and / or try to arrive early especially if you are road tripping!

Don't forget your ID, Don't Forget Your ID, Don't Forget Your ID, even if you haven't been carded in YEARS, Don't forget Your ID!!!

Thanks - and Rock On!

Sister Sparrow & the Dirty Birds
Sister Sparrow & the Dirty Birds
Sister Sparrow & The Dirty Birds is a nine-piece powerhouse that puts a modern spin on classic soul. The band is led by Arleigh Kincheloe (Sister Sparrow), whose astoundingly powerful voice and sly demeanor make for a spellbinding presence onstage. She is backed by the mighty force of The Dirty Birds, a flock of eight men who masterfully lay down thundering grooves and soaring melodies. While each of the Birds are capable of lighting up the stage with jaw-dropping displays of musicianship, it's clear they're focused on delivering the band's infectious music as a single entity. Simply put, the band's live show is explosive.

Dynamic singer and front-woman Sister Sparrow first began penning tunes in the alleyways and back roads between New York City and the Catskill Mountains as a teenager. Though already aided and abetted by her harmonica-shredding brother Jackson, it was clear that a large, powerful band was needed to do justice to the songs she was crafting. The brother and sister team called upon their cousin Bram, a California-bred drummer of considerable prowess, to help them assemble a super-band of epic proportions. Bram brought in childhood friends JJ Byars (alto saxophone) and Ryan Snow (trombone), and Ryan called upon baritone saxophonist and close friend Johnny Butler. Later, the addition of trumpeter Phil Rodriguez completed the unstoppable force of the virtuosic Dirty Birds' horns. The rhythm section was filled out by tapping guitarist Sasha Brown and bassist Aidan Carroll, a tandem that proved to be the perfect engineers of the hard-driving, bare-knuckle grooves that propel this ferocious group.

It was evident from the start that the deep friendships among its members translated directly to the music they made together. While Sister Sparrow is the principal songwriter and unifying voice of the band, the Dirty Birds work collaboratively on arrangements. The result is musical creativity and diversity seldom seen in groups of this size and character. By the middle of 2009, Sister Sparrow & The Dirty Birds had packed New York's legendary Rockwood Music Hall every Saturday night, holding down a five-month-long residency that built them a reputation for being one of the funkiest, tightest groups in the city. Fueled by the band's boundless energy, every show turned into a wild dance party, and the Dirty Birds established a rabid following of fans eager to receive a potent dose of good times, delivered by the band night after night.

Within six months of their November 2010 debut release on Modern Vintage Recordings, Sister Sparrow & The Dirty Birds had opened for the Black Keys, the Neville Brothers, Dr. John, the Rebirth Brass Band, and the Soul Rebels Brass Band, among others. Through appearances at such festivals as moe.down, Strange Creek, Camp Jam, Sterling Stage, and late-night at New Orleans JazzFest, they continued to gain wider acclaim. In the spring of 2011, they embarked on an extensive national tour that continues through year’s end and includes performances at Gathering of the Vibes and Bear Creek.

Sister Sparrow's commanding stage presence alone is more than enough to dazzle audiences, but the magic doesn't end with her: the band's palpable camaraderie, undeniable talent and passion for music makes for a contagious combination that is taking the country by storm. Sister Sparrow & The Dirty Birds' blend of seductive soul and dirty blues-rock reminds audiences why they love live music.
TAB The Band
TAB The Band
A rock & roll band with an enduring fondness for pure pop and a wicked, sly sense of humor, TAB the Band defy easy categorization. They may love the Beatles and Cheap Trick as much as T-Rex and the Rolling Stones, but TAB aren’t classic rockers; they’re a vibrant, contemporary band that blends the vigor of punk, the might of arena rock and the melodicism of power-pop, earning the admiration of Isaac Brock of Modest Mouse, Stone Temple Pilots, Slash, Black Rebel Motorcycle Club, and J Mascis of Dinosaur Jr, alt-rock stalwarts who requested TAB The Band as their opening act. TAB the Band’s full range can be heard on Zoo Noises (released Jan 2010), a freewheeling, all-encompassing carnival ride, fueled by such intoxicating singles as the percussive “She Said No (I Love You)” and the breakneck hooks of “Bought and Sold.”
Kaleigh Baker
Kaleigh Baker
Right now, the smoky amber of her whiskey is all that's keeping Kaleigh Baker from running out the double doors and not stopping. It's a chilly Friday night in December and the 21-year-old New York native eyes a growing crowd at the Social in downtown Orlando, near her home of almost two years. Kaleigh (pronounced Kay-lee) came to Florida to attend Full Sail, the vocational entertainment institute, to learn about the business of music and how to put on a show and she's put it to use many times before – at coffeehouses, hookah bars, even her own school. But this is different. The Social is the center of gravity in Orlando's music scene. It's not a breeding ground; it's a proving ground.

She takes another hit of whiskey and heads out with her band, a star sextet she's amassed from members of local jazz crew Swing in Time and Sam Rivers' Rivbea Orchestra. And then, she goes nearly deaf.

"I couldn't hear anything. I was in some weird zone," says Baker.

What happens after that moment is entirely unpredictable and nearly magical. With impeccable swagger, vocal chops as playful as Diane Schuur with a Patti Smith bent and backing musicians telekinetically linked to Baker's every whim, she shrugs off the jitters and brings the house down. Behind the enraptured masses and off to the side sits Baker's benefactor, Alexandra Sarton, that inescapable invisible hand of Orlando's female music scene, grinning knowingly and nodding her head.
Venue Information:
Middle East Upstairs
472 Massachusetts Avenue
Cambridge, MA, 02139
http://www.mideastclub.com